Ewen Henderson

Thanks for taking the time to look through the exhibition catalogue ,i will measure and post later. I am not sure if i have the catalogue but if i have it will be stored in one of many  boxes  at the moment. I always like to try and trace pieces back  to see their journey. Many years ago i had subscriptions to Bonham's and other auction houses and have kept most of the catalogues , which i now find useful for research, by coincidence a superb catalogue arrived this morning from Sworder's with great illustrations and info on R J Washington on over 20 or more pages. I regret  that printed catalogues are a dying breed as there is nothing like getting a catalogue to browse through. The pot measures 18.25 x8.50 inches although because  the width varies it can only be approx . Looking through the Sworder's catalogue in a view of Washingtons workshop there is what appears to be an attempt at a Henderson type construction with mixed clays.

While browsing through some old catalogues i came across this image showing some Henderson pots from c1968, pots from this period c1968- 1972 seem scarce but it's interesting to see his early work and compare it to his final output, i have never seen any of his early work pre c1975 appearing on the market although there must be some out there.

I have never seen anything like the above before. However, without that photograph to help, if you did come across anything looking like that you might pass it by, as you would have no idea who might have made it.

I think it's always good to get the full picture of a potters career but as you say identifying early pieces can be a problem without documentary evidence especially when they are so different to the style that we know them for. With Henderson we know from surviving pieces that at least from around 1975 he was producing large ancient looking pots before moving on to the laminated pieces that he's famous for. I think i will mail Anthony Shaw to see if he has any answers.

Thanks for the links, the two pieces in Bonhams i had already logged, but the piece in MAAK at c1972 i had overlooked although i am not sure how she arrived at this date. I am trying to ascertain how quickly Henderson developed from the pieces in the photo above to his more recognisable style .He apparently had a solo exhibition in 1970 at the Bodicea gallery in London ,if they had a catalogue that would be most helpful but it's doubtful. The Ceramic review could be useful but i haven't got an extensive run of those(nor am i a member).

Morning Philpot, can i ask when this pic was taken?

Thanks , i think it's a shame that they can't find room to display his collection , i would have thought the publication of this book would have been the ideal time.

Interesting stand on the large jar above, as i remember it had been quite badly damaged , the small bases on a lot of Henderson pieces make them quite top heavy and easily knocked over.

croker wrote:Thanks , i think it's a shame that they can't find room to display  his collection  , i would have thought the publication of this book would have been the ideal time.

I wouldn't be surprised if there wasn't any member of the senior curating team that had any knowledge of studio ceramics. That seems to have been the way of things in the last 30 years or so in many establishments that have significant studio ceramic collections.

I think you are correct, there seems to be only a small amount of interest in ceramics at the Sainsbury centre at the moment. the only parts of the Sainsbury collection that are on permanent show are the copers and some Rie pots, which i think would be disrespectful to the Sainsburys memory if they were stored . In common with most museums the emphasise is on 'fine art' ,that is what the public mainly come to see and not the ceramics unfortunately.

The Sainsbury centre is not very good at labelling or giving information on exhibits, i have suggested to them that more information should be shown as many people wouldn't have a clue who Hans Coper was,  i was told ''that's just  your opinion''. We love the Sainsbury centre  and it's exhibits but  information on exhibits is very thin on the ground.

philpot wrote:One does wonder if it is pure laziness or intellectual arrogance. The irony of course, is that a lot of their visitors have a lot more knowledge than they have!

I read the CVs of some of the senior curators there and from that it is most likely that if you asked them who Ewen Henderson was then the most likely answer you would get back is that he was a Scottish folk singer.

Therefore I think that rather than "arrogance" the word "ignorance" should be used.

A piece like that is normally around £ 6,000 , the one in Phillips Driscoll part 0ne fetched about the same, both were illustrated in 'things of beauty growing' and this probably contributed to the higher price, i did bid at MAAK but only managed to buy one item, the Janet Leach charger. I guess that £10,000 probably is a record for Henderson.

Thanks for posting this Dark Torso is a great piece and quite well known ,there are several similar pieces out there somewhere and maybe i will find one someday .Henderson's large pieces are scarce in the market place whereas his tea bowls and dishes are relatively common.