Midwinter Pottery

Now that you mention Empire Ware I think that is where I might have seen it but to me this doesn't seem that odd.

Back in the early 1990s I dealt in Midwinter and, although I never came across this transfer I do remember some pretty naff "bought in" transfers on Fashion shaped plates.

You have to remember that by 1959 most of the interesting patterns on Stylecraft and Fashion had been brought into production and it was just before some of the fruit and flower patterns of John Russell that harked back to traditional wares were produced. I think that the painted wares were still popular but there was the added cost involved in their production so getting a transfer pattern to catch on made good business sense - I imagine they made samples of whatever was available and do recall seeing the pre-War "crinoline lady" on Fashion shapes.

Basically, this type of transfer was manufactured by companies that sold their transfers around the Potteries to whichever ceramic manufacturer they could.

It is a shame that it does make sense and that "Riverside" was the best selling pattern on Midwinter Fashion shape but factories were there to try and make money.

As someone who dealt in Midwinter in a serious way in the 1990s, I have to say that I haven't seen the pattern or the mark before. It has to be from the 1930s and a copy/rip off, as that was what most factories did in those days.

bistoboy wrote:i contacted the people at the link you gave me Dan. They said they've only seen 2 pieces of Neon Ware by Midwinter (mine will be the third) and think it was range that Midwinter did in the early 1950s, giving free rein to designers like jessie tait. If that's true, stylistically the drip glaze is harking back to the 1930s (as suggested, copying other factories) and i'd say untypical of the factory.

Can't say that I buy that as from the end of the War until August 1952 the factory like all others was only able to produce "white" wares for the UK market. This meant that over 90% of their production was undecorated and the decorated wares were made for the overseas market. Companies could sell decorated wares in the UK if orders from abroad fell through or stock was returned. The two books on Midwinter by Alan Peat and then by Steven Jenkins focus on post war developments but neither mention Neon Ware. They both state that the factory was using traditional transfer patterns during the early post war period and there is a comment from Jessie Tait moaning about not being allowed to experiment before 1953.

I also found another vase on the internet with the same mark but a stylised Art Deco flower pattern that again suggests the 1930s rather than early post war.

I was in my cellar this morning looking for a pot that someone was interested in and came across a rat as well, shown below: -





As far as I am concerned, Midwinter were one of the most important pottery companies in Britain in the second half of the 20th century but towards the end of their existance they may have put profit before design!

Very fond of Chequers but if I had to pick one pattern I think Jessie Tait's Primavera would be my choice.

Ok so not Primavera but........................ a Fashion shape teapot with Festival pattern designed by Jessie Tait and manufactured from 1955.

Eclectic-Dorset wrote:Studio , nice, named after the festival of britain aparently , you got to love Jessie Taits work from this period , and fairly cheap at present .

The newspaper it was wrapped up in was dated 1997 when I could have got considerably more for it than today.

climberg64 wrote:

Jessie Tate side plate.

Two of us spotted this simultaneously in the charity shop. The fact I was three feet nearer avoided an unseemly tussell....50p.

The side plate is another design on Fashion shape from 1955 - called Capri.